Showing posts with label Queen Anne's Lace. Show all posts
Showing posts with label Queen Anne's Lace. Show all posts

August 02, 2016

Icelandic Lattice Lace Scarf, BBs, Sale

August 2, 2016
Lava Lace Scarf. An fun knit and easy to remember pattern. Raverly post here.
           
If you've been reading along for awhile, you will remember that I planted a Gloriosa Lily last year and several of you wanted to see it. (I had wanted to grow one for many years but I couldn't find any bulbs.) Unfortunately, the wind knocked it down last year, so I am happy to finally say TA DA... here it is. It's about 5 feet tall. Although it was hard to do, today I picked one for the drawing board.
Another favourite...Queen Anne's Lace.

Doodles of the Botanical Blue kind. My new Micron pen is not the quite the same beautiful blue as the other one. It's close but not quite. I'm searching for just the right colour.

In honour of my birthday this month, there's a 20% sale on in my shoppe. Just type in SALE at the checkout. 

Enjoy the week...

August 05, 2015

Nature Studies

Drawing recently from nature, Queen Anne's Lace or wild carrot. To me, it's not your average weed. It's intricate and delicate and before it blooms it's wrapped in a wondrous package.
I found wild coneflower, or echinacea too.


To answer a request, I'm including a list of the art supplies I use and a few tips that I've learned.

Staedtler pencils. 2H-6H, (H for hard) but I prefer the 2H, although, occasionally, I use soft leads or B pencils, especially 2B.
FW acrylic inks.
Kneaded Erasers and plastic erasers.
Tracing paper ~ a must, unless you draw straight onto your watercolour paper.
Sketchbooks ~ look for good quality paper.

After researching watercolour paper and trying several different brands, I prefer hot pressed paper for painting.  Fabriano Artistico and Arches are acid free and 100% cotton. I use140 lb weight. (The higher the weight the thicker the paper.) I prefer Fabriano, but I am getting use to Arches. It requires a light hand, but can take several glazes.
I use watercolour blocks that are glued on all four sides; the paper doesn't require stretching.  (There's a small hole at the top of the block, you insert a thin knife and go around the block to remove the sheet from the block when your painting is completely dry.) I also buy large single sheets. It's cheaper that way, but the paper requires stretching or it will buckle and it takes time to cut the sheets into the sizes you want. ( A scary breath holding activity!)

I occasionally use Strathmore Watercolour cards; they are cold pressed ~ not as smooth as hot pressed paper.

Watercolour paints. I mostly use Schmincke and W& N. Windsor and Newton is bright and clear.  Schmincke can look chalky sometimes and I  do like Sennelier paints as well.  I also have a set of Derwent watercolour pencils that I received as a gift. In the beginning, I was using the watercolour pencils to paint with.  Around here, they are cheaper if you buy them individually.

* If you are just starting out, I would recommend that you buy good quality watercolour paper, a few tubes or pans of professional watercolour paint/or good quality watercolour pencils. They do make a huge difference! A (sable or faux sable) #4 watercolour brush is, in my opinion, a must. They are expensive, but should last a very long time if treated well. Never use it to mix paint with. (A tall order--one sometimes forgets.)  And you will annihilate it if you use it to apply FW inks.

Interesting optional items: Masking fluid and Gum Arabic.
Masking fluid is used to cover small stamens etc, that you will paint later, or any area that you want to keep white while you are painting. When it is completely dry, you rub your fingers over it to remove it.

Gum Arabic extends the drying time of paint, adds vibrancy, and is also used to add shine to eyes, reflections etc.

In the end, it's all about personal preferences, so experiment, have fun in the process and you will  find out what works for you.


  Until next time enjoy creating...

August 05, 2014

Turning the Page

A perfect sized box for my small knitting projects. Another coat of Mod Podge (waiting a week because it's hot) and added distressing, to even out the look, should do.



I 'll admit that I felt a twinge of remorse when I turned the calendar page on July. It was a beautiful month, although I'm certain that August will be great too, summer is  zipping by. And so with brief thoughts of cooler weather, I've cast on the Jasmin scarf in worsted weight yarn.






Along the roadsides, Queen Anne's Lace, Brown-eyed Susans and clouds of Goldenrod are putting on a show, and O, yes, the peaches are delicious and for two nights in a row, the first of the corn crop bubbled on the stove. It's all good!


Enjoy...




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Wild Violets